|
The Winner at Michael Kors |
|
Michael Kors |
Our last look at Fashion Week hairstyles, in the Spring, was
titled “
Fashion Roadkill.” And I feel perhaps a bit less ambivalent for Fall, but
that may be because what I liked, I liked a bit more; and what I disliked, I
disliked with a passion
.
Fashion editors unanimously and excessively praised the hair
at Michael Kors as being the “best
of the shows.” It probably took Orlando Pita and his team hours to achieve the
messy, leather-woven braids that look as if the models did their own hair. It
was the most attractive “DIY” look of the season, and one I believe will appeal
to a lot of women.
|
Jason Wu, side view |
|
Jason Wu, rear view |
At
Jason Wu, we
had another do-it-yourself-looking runway style; one that required lots of
randomly placed black feathers and bobby pins. Again, I’m sure it took Odile
Gilbert and team a lot of effort to obtain such a no-effort look. Frankly, I do
not see the fashion in it or what it proves – the model looks as if she was
attacked by a crow – but it IS an attention-getter, and a form of artistic
expression and artistic freedom. I just wonder if anyone noticed the clothes.
|
"The Trump" at Jill Stuart |
|
Less "Trumpish" at Jill Stuart |
I certainly noticed
“The Trump Look” at
Jill Stuart.
It’s as if today, what’s “in” is not necessarily attractive or compelling, but
rather what is famous or attached to fame, and it can be anything – including
runway hairstyles. This isn’t a good look, its proportions are all wrong, but
as long as it reflects a famous personality, it doesn’t actually have to be
appealing. No one would ever walk into my salon and ask for this look.
|
The disaster at Thakooon |
But again, this is the era of freedom of expression in
fashion, freedom of choice in how we look, and anything goes. As an artist, I
just want to ask you to remember to always have you makeup and brows looking
their best – when your face is done and attention is paid, you can pull off
even the wildest hair and make it look intentional and fashion-forward.
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Even the model seems upset at Thakoon |
What is the meaning
with the awful hair paste and powder at
Thakoon?
They could have added color with ornaments, feathers, or extensions, and
created a look women would want to copy. Who would actually want to try and
reproduce this? They’re selling very expensive fashion but cheapening the look
with such distractingly awful hair. They didn’t even bother to clean the
over-spilled powder from one model’s forehead. Ugly AND sloppy.
|
United Bamboo's corn rows |
It’s obvious some designers feel the hair isn’t important on
the runway, yet we all know that in the real world, hair is one of the most
important fashion and beauty accessories a woman has, and she spends time and
money on it. Ridiculous hair detracts from the clothing – look at the fake
“corn-shaped” corn rows at
United Bamboo.
The hair is fighting with the clothes instead of complementing them. If she
were walking down the street, she’d get attention with that hair – negative
attention. As an artist, again I want to see hair that is appealing and
commercial, hair that makes a woman want to come into my salon and say, “I want
that.”
|
Donna Karan |
The hair that I expect I will be reproducing, if perhaps in
a slightly less dramatic form:
|
Carolina Herrera |
Donna Karan, Carolina
Herrera, Amanda Wakely, Philip Lim, and
Marchesa
– all up-dos of some kind, whether they’re soft or controlled.
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Amanda Wakely |
|
Philip Lim |
|
Marchesa |
And I’m sure I
will also be asked to work with the trio of French twists shown by
Narciso Rodriguez, Diane Von Furstenberg,
and the tallest of all,
Bagley Mischka.
|
Narciso Rodriguez |
|
Diane Von Furstenberg |
These are all high-fashion looks – but ones that women will ask for.
|
Bagley Mischka |
And I will
probably be asked do a few Michael Kors’ braids – they only LOOK like you can
do them yourself.
Until next week, ciao!
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